Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
Hearing Selves (Chapter 3) - Music, Subjectivity, and Schumann
TOWARDS A NARRATOLOGICAL ANALYSIS OF THE ROMANTIC LIED: EVENTS, VOICE, AND FOCALIZATION IN NINETEENTH-CENTURY GERMAN POETRY AND
Schumann's Piano Cycles and the Novels of Jean Paul
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
Fantasy Pieces - Metrical Dissonance in The Music of Robert Schumann - Harald Krebs | PDF | Robert Schumann | Rhythm
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
Schumann's Opus 39 Liederkreis - The Story of An Engagement | PDF | Robert Schumann | Napoleon
Schumann's Song Cycles: The Cycle within the Song
Hearing Absence (Part III) - Music, Subjectivity, and Schumann
Absence of the Self (Chapter 7) - Music, Subjectivity, and Schumann
PDF) Carl Loewe's "Gregor auf dem Stein": A Precursor to Late German Romanticism | Brian Witkowski - Academia.edu
Heine's Flowers in Schumann's „Myrthen“
Hearing Subjects (Part I) - Music, Subjectivity, and Schumann
The Journey of the Song Cycle: From â•œThe Iliadâ•š to â•œAmerican Idiot"
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
MTO 10.4: Schmalfeldt, “Coming Home”
Hearing Absence (Part III) - Music, Subjectivity, and Schumann
University Press, 2000. vii, 270 pp.
Heine's Flowers in Schumann's „Myrthen“
A Study of Brahms's Romanzen aus Tieck's 'Magelone, Op. 33 POON Ching Man A Thesis Submitted in Partial Fulfillment of the Req
Hearing Subjects (Part I) - Music, Subjectivity, and Schumann
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
A Study of Brahms's Romanzen aus Tieck's 'Magelone, Op. 33 POON Ching Man A Thesis Submitted in Partial Fulfillment of the Req
Reviews
Absence of the Self (Chapter 7) - Music, Subjectivity, and Schumann
